Weddings

CRAIG AND SAMMY'S FIREWORKS NIGHT NOVEMBER WEDDING

I first met Craig and Sammy in a crowded bar in Paddington Basin in London after a day's work, and it was one of those wonderful encounters where you know pretty much from the outset that this will be a great wedding, that the couple are truly, madly, deeply in love,  that you will hit it off immediately with them, and that it will be a big day of laughs. 

Having shot their engagement in Virginia Water, and having already during that shoot, popped in at the Royal Berkshire Hotel in Sunninghill, I was familiar with the grounds and with the venue.  What I hadn't expected was the incredible blaze of autumn colour that awaited us. 

Originally built for the family of Winston Churchill, this lavish country hotel is housed in an 18th-century mansion just a stone's throw from Ascot Racecourse.  And as you can see, you can also play a game of draughts with any nearby giants that happen to be wandering the Surrey countryside.
 

The rooms are large, generous and comfortable, and Sammy's suite had plenty of room for all the bridesmaids to relax and prep.

and that, of course, included Mum!

and the dress, of course...

Now it may surprise some of you to hear this, but girls take a little bit longer than guys to get ready.  On this Saturday, I rocked up, bright and breezy at 10 am to find Sammy and her girl crew already in curlers and prepping.  Four hours later, at 2pm, when the ceremony was due to start, they were still adding the final touches.   The boys on the other hand...

The boys took a record fifteen minutes.  No word of exaggeration.  I've never in my life seen a swifter transformation from jeans and trainers to mourning suit and cravat. 

Shooting a wedding is always an adrenaline buzz, there is always chaos and rush.  But, boys, seriously, fifteen minutes?

and that goes for you dads too!

I guess there was a bit of a rush to get to the bar, so much of a rush that one or two of the chaps appear to still be empty-handed...

And then that moment when Dad goes in to make sure his daughter is okay, and it's a kind of a farewell moment, and always so touching

While the boys, well, they don't seem too worried do they?

Nah, nope, nothing to worry about...

and everything to be thankful for, with such a beautiful bride-to-be walking down the aisle

and these next two moments I love so much.  There is nothing but love, youth and enthusiasm in Sammy and Craig's faces.  So much hope and excitement for the future they will share together.

Despite the November cold, Sammy and Craig were game to do a little walkaround and grab a few shots.  The window for couples portraits is always a nice opportunity too for a newly-married couple to gather themselves together and get away from the bustle - kind of like quiet time, except I'm there, and I'm not that quiet.

Just look at those autumn colours! And with the last rays of the sun, the light has that golden glow to it

A quick walk around the fountain and, even with Craig lending Sammy his jacket, frostbite looked to be close at hand, so we grabbed just a last few snatched portrait shots and headed indoors

For the speeches

and, inevitably, the tears...

...looks like Craig's Dad was working hard to keep those tears back as well

and last but not least, to round off the evening, what else, on November the 5th, but sparklers and fireworks.

Congratulations Sammy and Craig and wishing you both a wonderful, happy, long life together!

KATRINA AND BEN'S WHITEHALL WEDDING

Katrina and Ben chose the wonderful One Whitehall Place as their venue for both the ceremony and the reception of their London Summer Wedding. 

“We’d love you to shoot our wedding video and our photography”

Being both a photographer and videographer, this is always my favourite booking.   Though sadly I can’t clone myself, and of course Ben and Katrina hadn’t expected me to be in two places at once either, meaning I brought in one of my team of videographers to work alongside me.  

One of the specialities of Delirious Films is that we can offer an all-in package.   Working with videographers and photographers across the country, I tailor every wedding to suit each couple, which means sometimes I shoot stills, and sometimes video. 

On this occasion – as I had always wanted to capture the ambience and atmosphere of this beautiful Victorian building with it’s chandeliers and pillars, its history and architecture, I took the helm as photographer and director and hired in my best videographer to shoot the movie.

On arrival, the chaps decamped to the Churchill’s Bar, drinking in not just the g&t’s but also the wonderful atmosphere of a glorious history. 

Churchill was not the only political titan to debate and relax, within the National Liberal Club’s walls: Asquith, Lloyd George and many others shared a glass and a frank exchange of views here.  Churchill’s Bar captures this spirit. It’s a place of tranquility and character: of strong words, softly spoken. Ideal for a drinks reception, for small-scale gatherings or a postprandial chat. In the spirit of this great intellectual heritage, as you can see, the boys were deep into a serious debate.  Probably about the merits of beer over gin. 

Meanwhile Katrina was getting ready in the Ladies’ Room on the top floor, a wonderful, discrete and stylish space that brought out Katrina’s already highly-developed spirit of glamour.

The ceremony took place in the The Reading and Writing Room, a magnificent room that can accommodate 120 people, with its floor to ceiling windows that allow natural daylight to flood the room. The windows provide enviable views of modern day London, looking out across the Thames to the London Eye and the South Bank.

 

As Katrina's mother is Russian, part of the ceremony was  the “Bread and Salt” tradition for  when the groom’s mother greets the bride and groom. In the old days, the groom’s mother presented the couple with “Bread and Salt” at the groom’s family house when the bride moved in to live. Nowadays, as a rule, most couples of course live separately from their parents and after an official marriage ceremony or a wedding, the “Bread and Salt” ritual takes place right in the banquet hall where the wedding celebration takes place.

The bride and groom break off pieces of bread, dip them in salt and feed each other. These actions symbolize that they’ll never be without the necessities of life and they will always take care of each other.

When it came to the formal family portraits, luck was on my side.  The best end of the library had been cleared, prior to dinner, and there was just space enough to fit and light close family members.  With a handy five minutes on my side, I quickly set up a backlight flash to help balance the sunlight, and a studio soft box to give this group shot the Downton Abbey feel.  

Then it was out for a quick couple of portraits and romantic shots for the film on Hungerford Bridge, overlooking the Thames, Big Ben, and the London Eye.

This last shot is one of my favourites, and is actually a still from our film that accompanied the photoshoot.  Feel free to take a look at the film here:  

and do please feel free to leave a comment, if you enjoyed these pictures, thanks for reading. 

Adam

CATRIONA & TOBY'S KENT ENGAGEMENT SCOTNEY CASTLE

Or... How You Should Never Say Never Work with Children and Animals.

It's been quite a year for National Trust engagement shoots, which for me, being a Londoner, is quite a treat to get out and about in the countryside.  Catriona and Toby are both avid walkers and even more avid dog-lovers, and this was my first shoot incorporating dogs AND romance.  Despite the "never work with children and animals" maxim, I thought, what fun, what could possibly go wrong.  Of course things might have gone wrong, but in fact on the day, their two spaniels were so lovely and well-behaved I only wish I'd tried some more experimental shots.  As it is, a sweet afternoon of walking and relaxing was had by all at Scotney Castle. 

As a bit of a warm up - although to be honest an engagement shoot is in itself a warm-up - Mum took the dogs for a little walk while I took Catriona and Toby down to the Folly to get used to the camera.  Not everyone likes to indulge in endless selfies and not everyone is comfortable with the idea of a photographer.  But they know they'll need to be when their wedding day comes.  So of course an engagement shoot is a great way to not only get to know each other and what works best, but also to learn to relax a bit in front of the lens. 

And so, enter the pups, and what a cute pair they were.

I know spaniels are pretty easy going, but these two, they were just so cute and laid back.

Despite the glorious sunshine that marked the start of this lovely Kentish autumn day, by the time we had actually arrived at Scotney Castle, the clouds were massing overhead.  Sometimes when this happens, it's hard to resist going a little gothic.

The house which was built to replace the Old Castle in the first half of the 19th Century is known as Scotney New Castle, and is a wonderful example of Tudor Revivalist style.  So not really gothic at all, except perhaps when the dark lowering clouds mass overhead and the photographer's imagination runs a little too far away with itself...

For those wondering if the poor dogs had been left to go feral, I probably should add here the best piece of advice I can offer anyone considering an engagement shoot with their dogs;  bring a friend or a family member along who is happy to take the dogs for a break so the two of you can also relax and pose a little for the camera.  Taking advantage of a small break, we took a quick tour of the gardens. 

We were treated to the most amazing array of autumn colours.  The gardens at Scotney Castle were designed by Capability Brown with rhododendron and azalea competing with Wisteria and old English rose.   Autumn is beautiful, but Spring is an absolute symphony of colour.

We retrieved the little retrievers and took them for a last photo tour of the gardens.  

With the sun determined not to come back out again, and with the gates soon to close on the castle, we took a last tour of the old castle, which dates back to the fourteenth century.  And to lift things a little, I brought out some handy lights, at first as a portrait key light to lift Cat and Toby out of the November gloom.

And then more dramatically - and this is one of my favourite cheats with using a flashgun with radio trigger - I created some fake sunlight behind them.  While in reality we were halfway to darkness, see how the remote flashgun light highlights them and wraps round them, as if it were the dying rays of the sun through the bushes behind and picks out the golden autumn colours in the leaves.  Much prettier than a flat near-dark grey early evening. 

Because every lover's kiss deserves a bit of sun-dappled romance, even if it is courtesy of the hard-working photographer.  Thanks for a great day Toby and Cat, looking forward to the big day next year!