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TONY & KATE'S HERTFORDSHIRE WEDDING

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TONY & KATE'S HERTFORDSHIRE WEDDING

Sometimes you meet a young couple and there is something so generous about their spirit, and so serendipitous about the day, that everything just falls into place.  I won't ever forget how Tony's simple and humble recommendation "I think there's a field just up here with quite a nice view when the sun goes down"  would result in a red gold glory of poppies and the sunlight.  Possibly the most dramatic and beautiful sunset of the summer of 2016 and we were right there.  But enough about us, this is about them.  Tony and Kate, and the story of their day.

Which started off in brisk and elegant fashion at the Sun Inn in Hitchin, a beautifully, tastefully restored 16th century coaching inn located in the heart of one of Hertfordshire's many charming market towns.

While you can arrange to have your whole wedding ceremony and reception at The Sun, Tony had opted for reception only.  And a little groom prep. 

One of my favourite ring shots ever, achieved in a couple of minutes with the help of some optics behind, and a purple shot glass to balance the bands on.  Look close enough and you can make out a ring-reflection selfie.

But enough about me, meet the boys.

Tony and his best man, looking suave, dapper and handsome, as they tog up for the big day ahead

with of course, the help of a stiff drink, a good pair of cufflinks...

...and...er... a couple of goes on the roundabout in the market square!

Meanwhile, down the road at Kate's house, the mood was surprisingly calm and serene

with ample time for me to capture some of the lovely bridal details

Dad's garden had been carefully and lovingly tended, with a bit of extra attention, knowing that we might well have time to grab a few shots out there.

Beautiful Kate, elegant and modest as a true English Rose, was the perfect model, allowing me to experiment a little with the light and grab these portraits, which, because we had that little extra bit of time, I could make look a little like paintings.

It's a curious irony of wedding photography that often has to be explained - most weddings are summer weddings when the sun is bright and high, and yet us photographers take to the shade.  These shots show why a little.  See how the light reflects back onto the girls, so that even though they are shaded, their skin seems to have this lovely glow. 

A nervous moment for Tony when a car identical to the one driven by his father-in-law-to-be turned up twenty minutes early.  When he'd finally recovered from a close encounter with a near heart attack, it turned out of course to be the bridesmaids arriving just on time. 

St Mary's Church in Hitchin is the largest parish church in Hertfordshire and is remarkably large for a town of the size of Hitchin.  This has been cited as evidence of how Hitchin prospered from the wool trade. The present church stands on the site of two previous churches and dates from the 14th and 15th centuries, with its tower dating from around 1190.  As well as being generously proportioned and impeccably restored, it is also wonderfully light inside.  No gothic gloom here.

As Tony's expression testifies.  The vicar, by way of a bonus, it should be said is a lovely, warm, generous and good humoured priest, welcoming all with a smile and a twinkle in his eye.

While every photographer will strive to capture the bride arriving...

... I think we all treasure those delicious candid moments of apprehension as the groom waits inside

Owner of the highly successful production company HitchinTV, Tony has a keen eye himself, and was eager to try all kinds of different portrait shots.  I think I may have gone a little over-gothic with this one, but it was the one overcast moment of the day, so I like to think at least we were being in some way true to the day.

Back at the Sun Inn, meticulous preparations had seen the reception room beautifully decorated with restrained good taste.

While the party got started, Tony was keen to see if we could grab the sunset shot we had talked about.  We jumped in his car and he showed his true Italian heritage by racing across town with all the speed and dexterity of a Formula 1 driver keen to get home for his champagne dinner.  And boy was it worth the pedal to the metal.  

When we arrived at the chosen location, we were greeted by this stunning field of poppies. Capturing a sunset is always a matter of luck - will cloud cover ruin it?  Will there be too little cloud to make it truly dramatic.?

On this occasion we were blessed with one of the loveliest and most dramatic summer sunsets.  

And as dusk quickly settled in we even had a go at a Gone With the Wind moment.

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KIRAN AND KEVIN'S WILTSHIRE WEDDING

Kiran and Kevin chose Weddings at the Lost Orangery for their venue.  Situated just outside the picturesque village of Colerne in Wiltshire, a short drive from Bath, this stately home with private drive, ornamental lakes and breathtaking views across the rolling countryside of the Avon valley has to be the perfect location for a sumptuous, romantic wedding.

While Kiran, as bride, had the good fortune to stay in the comfort and luxury of the Orangery, others, including hardy groom Kevin, had to make do with tents pitched in the grounds outside.

Non the worse for wear for his night under the stars, Kevin was up bright and early to help with organising the day, and of course to scrub up rather nicely. 

While Kiran, out of sight, on the other side of the Orangery, looked stunning in red.

And what a blaze of colour the bridesmaids were.

Oh, and did we mention red...?

The civil ceremony was conducted in the charming pergola overlooking the ornamental lake, with guests seated around it.

A joy for the spectator, a challenge for the photographer - that's me - who, with the sun shining directly at the camera, rigged up two flashes in the ceiling of the pergola, to give that nice lit look to the ceremony.

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Don and Kayan's Vintage London Engagement Shoot

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Don and Kayan's Vintage London Engagement Shoot

It's not uncommon to come away from a shoot having made friends with a couple, and after Don and Kayan's fantastic London pre-wedding session around Westminster, we found we had quite rapport.  Imagine then my delight when they asked if I would also shoot their engagement at various locations around the city.  

Although this shot of the couple hand in hand beneath the blossoms in Regent's Park is the last shot of the session, it is also one of my favourites, simply because it cries out "Spring! Love! Romance!" and also because, with Kayan's lovely vintage polka-dot dress, it has a classic timeless quality to it.

We started off our shoot in fact in London's Portobello Road in Notting Hill.  Don and Kayan had dressed for the part and threw themselves fully into the Vintage theme.  While Don is the modest, slightly camera-shy kind of guy - and let's face it, most guys are - you can hardly tell from the pictures.  Part of a photographer's job is to put a couple at ease, and a big benefit to shooting an engagement is the chance to get a couple accustomed to being the attention of a day-long shoot.  

Of course a good vintage shoot is nothing without a great vintage dress.  Kayan sourced her wonderful dress and hat from bowlers in York, while the photographer - yes, me that is - happily let Don have a play with my beautiful retro-styled fuji x100s.  More of which, later on. 

Kayan had done a little modelling which is always a treat for a photographer – you can see from the poses she pulls that she has a natural flair in front of the camera.

And although we achieved amazing results in colour, helped by gorgeous weather, and the pretty, multi-coloured Victorian terraces and Villas of Notting Hill and North Kensington, still it was hard to resist adding the odd black and white.  After all, no vintage shoot surely is complete without a little monochrome styling.

The stalls and shops on the Portobello Road are a magnet for tourists and shoppers, so inevitably on a beautiful sunny London spring day, London W11 was pretty hectic, yet we managed to clear enough space for Don and Kayan to get into their shoot, and I think this in part was simply down to us having so much fun, and them relaxing and getting into the pure spirit of fun that an engagement shoot should be. 

Here in this mews off the Portobello Road you can see the fuji x100s at work.  A lot is talked about the tones and colours that different cameras produce, and while you can achieve almost anything in Photoshop, you can see the subtle difference in tones and textures between the two shots.  Above is taken with my Canon 5D mark iii on a 70-200 f2.8 while below is taken on the Fuji using it's fixed 23mm (35mm equivalent) lens.   Of course a telephoto zoom and a medium wide angle lens will produce different results, but what is interesting is not only how great the results are from such a little compact camera camera, but also how - even shooting raw - the pictures have very much their own visual quality and character.

Then it was off to Regent's Park, a location that just gets more beautiful, every time spring comes round. 

because no spring engagement shoot is really complete if you don't grab some blossoms.  This year, spring came late, so those were words I couldn't utter with assurance to some of my couples, but with Don and Kayan we hit gold!  Admittedly some of that is my gold reflector, which I think adds a fabulous look to skin tones, if you are going for something styled, warm and passionate. 

And of course, when in Regent's Park, to not feature the BT Tower would just be plain wrong, right?

I like to offer my couples as much choice as possible.  So when I deliver photos I always make sure there are a variety of edits.  Above was one colour grade that I really like, desaturating the tones of the blossoms, the green, the skin tones.   It has a subtle, slightly faded look that I think is quite classy.  But for full-on picture postcard vibrant romance, it is hard to resist the full glorious colours that a London spring has to offer. 

And sowe come to the last shot of the series which, ironically was one of the first of the shoot.  It is almost everyone’s favourite shot and I think I know why.  Somehow everything came together to perfectly reference Cartier Bresson, Robert Doisneau, Audrey Hepburn, and Paris and London in the 1950s.   Somehow we effortlessly nailed Vintage!  How did we do that?   Partly because despite the relentless modernisation and development of London, the chains and oyster bars and luxury apartments, Portobello Road has been able to hold onto the charm, the architecture, and the character that made it such an iconic location in the first place.  Somehow Notting Hill is still Absolute Beginners, it’s still The Lovers, it still has the charm of say Montmartre or Lisbon Old Town.   Somehow it is still picture-postcard London without being cliché. 

Thanks also go to Don and Kayan whose enthusiasm and sense of style mirrored this classic, timeless innocence.  They say the camera never lies, and these two were charm, style and good grace personified.   They were Grace Kelly and  Cary Grant, George Peppard and Audrey Hepburn.  All I had to do was point and click. 

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ERICA AND TOM'S ROMANTIC EASTBOURNE WEDDING

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Another last minute phone call from my pal Kirstie Blake: "My dear friend has just been let down by her photographer, can anyone help?"   And the next morning, I am hurtling through Sussex on a glorious sunny July Saturday to the rescue. 
 

I instantly fell in love with Tom and Erica's cool, retro Peacehaven bungalow, and it wasn't long before I'd fallen for them and their friends and family too!

Some weddings are all about the planning, some are all about the style, and some... some are all about the warmth of feelings, the strength of commitment and love from friends and family. 

Wanting nothing but the best, Dad booked a classic chauffeur-driven Daimler to drive Erica to the town hall.

And who couldn't help but be totally smitten by the Britain's youngest best man!?  Aw... so cute!!

and while the groom waited nervously...

a romance appeared to be blossoming between the best man...

... and one of the ladies in the congregation.

though nothing could distract from how beautiful the bride looked as Dad lead her down the aisle

There were tears and smiles at Eastbourne Town Hall.  With more than their share of challenges, this young couple came through for each other in a big way.

with more than a little help from the littlest, cutest best man ever ever ever

the signing of the register

the walk down the aisle, with a littlest best man now a bit grumpy and no doubt in need of some sugar

 What is lovely about Victorian Town halls, like the classic one in Eastbourne where Tom and Erica held their wedding ceremony, is the mix of colours, the wonderful architecture, the mix of natural and modern lighting and the melange of municipal rigour with a gentle, relaxed local atmosphere.  

Of course nothing expresses the joy and excitement following the wedding ceremony than confetti

and while a lot of wedding photographers won't use a wide angle, I can never resist squeezing in that little bit of extra action, because it is as much the guest's day as it is the bride and groom's.

After the formal shots, we had a little bit of time to run off for some romantic photo down time at Burling Gap.  And no trip to the south downs in the summer would be complete without... an ice cream.

as the saying goes, what's yours is mine, and ... erm... well that's it really..

Birling Gap and Crowlink, near Eastbourne in East Sussex, are part of the world famous Seven Sisters chalk cliffs, one of the longest stretches of undeveloped coastline on the south coast.  One minute you can be walking on ancient downland, the next you could be rockpooling below towering cliffs of chalk. Spectacular, unspoilt views of the sea can be seen from all angles. The beach below is ideal for seaside picnics with its rock pools and areas of pebbles and sand. It is a great example of a marine nature reserve.

Also, great for a bit of a snog, after your wedding.

but the fun didn't end with just one ice cream and a bit of a snog...

... and we were off to East Dean for a full-on Hog Roast.  Just look at the delight on those kids' faces...

then of course there were the speeches...

... the cake....

.... the cake down the bride's cleavage....

... the cake in the groom's face...

and then a proper, bonkers knees-up party

and also, thankfully, a beautiful South Downs Sunset 

Do please feel free to leave a comment, if you enjoyed these pictures, and thanks for reading. 

x

Adam

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Don and Kayan's Glamourous Westminster Pre-Wedding Shoot

Most brides wouldn't dream of letting their groom see them in their wedding dress before the big day, but in Asia, pre-wedding photography is hugely popular. 

Pre-wedding shoots see brides and grooms pose together in their wedding finery before walking down the aisle, to get perfect pictures, tailored to the couple's exact taste, which there may not be time for on the wedding day itself. 

Now couples in search of something extra special for their shoot are flocking to the UK to pose alongside famous landmarks or in renowned luxury hotels such as The Ritz.

Don and Kayan, like many Chinese couples, have fond memories of working and studying here in London, and while their call came last minute, and while time was short, we had some fun whizzing around a few favourite places, including a romantic and dramatic start in Green Park, and a quirky long-exposure shoot at Paddington Station.   Along the way, we took in the ubiquitous and inevitable red phone booth, black taxi and, of course Westminster Abbey, Parliament Square, Big Ben and Westminster Bridge.

 

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GREG & TINA'S HAMPSHIRE WEDDING

Now here was an unusual situation.  I couldn't sleep and got out of bed,  early one Saturday morning, when, at six in the morning, my Facebook  pinged an urgent message from my good friend, fellow photographer Lisa Gigante-Field.  She was horribly sick and could I help her cover Greg and Tina's wedding?  No photographer ever wants to call sick on a wedding.  We'll turn up half dead, half-severed limbs dangling, on crutches, you name it.  The show, after all, must go on.  And we have committed.  So I knew she must be tremendously ill.  Sure, I can help, where is it?  Portsmouth, she replied.  A two hour drive.  No problem!  

But Lisa hesitated.  Could she really let the couple down?  It's a strange thing, but wedding photography is like no other business.  You so badly feel you owe the couple, you are so involved in their day, in their happiness, and in capturing that as you promised.  So Lisa hesitated.  She would try and shoot the wedding.  But just in case, could I hold out in case she pooped out?  Sure thing.  That's what we do, photographers.  We help each other out.  

Bravely Lisa tried to make it to the venue, but to no avail.  The virus had her in its grip.  And now it was too late for me to get there for the ceremony.  Another good pro photographer friend, close to hand, Anthony Burdett-Clark stepped in to cover the ceremony, but couldn't stay any longer.  And so it was I jumped in the car, to cover the rest of the day, foot down, whizzing my way down the M3 to Portsmouth.

That's right, let's raise a glass to the brave photographers... erm.. no that's not right.  Let's raise a glass to the wonderful Greg and Tina who were the sweetest of couples, with the loveliest of close friends and family around them to celebrate.

The wedding ceremony and reception took place at the lovely Meon Valley Country Club.  Mother nature had been kind and offered up a beautiful sunny day.

And though only a few photos are posted here, I delivered something like 500 images from the day's celebrations!  Well Lisa - and I - were very keen to show that no couple should miss out because their original photographer was struck down so ill.  And who wouldn't have wanted to keep snapping with such a fun-loving, lovely family?!

But if we were lucky with the sunshine, we were also lucky with the sunset.  And I was luckier still when Greg and Tina were happy to take a little walk with me and my studio soft box to grab a couple of romantic dusk couple portraits. 

And then it was back to the golf club house for the party.  And boy, what a swell party it was!

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MEERA AND HUSSEIN'S SURPRISE ENGAGEMENT - OR HOW I ALMOST DIED SHOOTING A PROPOSAL

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MEERA AND HUSSEIN'S SURPRISE ENGAGEMENT - OR HOW I ALMOST DIED SHOOTING A PROPOSAL

So let's make one thing clear, this was the most fun I've had on a friday lunchtime ever, ever ever!

So my very good friend Holly Poulter at Join the Revelry dropped me a line.  Was I free to shoot a secret surprise proposal in Hyde Park?  Without hesitation, except to double check my diary, I said yes, and here's where the craziness started. 

City banker Hussein had approached Bernadette at Dream Occasions,  together with Holly, to come up with some ideas and help organise a romantic treasure hunt proposal event across London.  The big thing, he said, was to make it a surprise.  

After an excited brainstorm, and finding out all of Meera's favourite things, it was on to the planning.

On the morning of the proposal, Hussein's brother collected Meera from her Mayfair apartment under the pretence of going to a meeting.  Instead, he gave her the first treasure hunt clue scroll - along with a single rose from Phillippa Craddock flowers, and an Artisan Du Chocolate box.

The next surprise stop was at Meera and Hussein's old apartment in Knightsbridge, just behind Harrods, where Bernadette was waiting with the next clue, and another flower. 

So far, so romantic.  And what could be more fun than being dragged away from your work in the sunshine to be taken on a whirlwind treasure hunt mystery?    

But what, I hear you asking, does this have to do with the photographer having a near-death experience?

Because, chasing them across London like a crazy fool, on a motorbike, camera bag swinging from his side, swerving and battling the insane city traffic of Hyde Park Corner and Marble Arch, was our intrepid photographer, shooting the whole event like a paparazzi, with telephoto lens and ninja stealth skilz.   At least my younger friends might put it that way.  "You're too old for this lunacy", is how my wife put it.  But what fun, what thrills, dodging the insane cab and bus drivers of the capital on a glorious Autumn afternoon, to capture the special moments of two young people in love.

Ooops!  Looks like Meera spotted me, right?  By then, of course, we were at location three and it was pretty clear what would happen next.  Hussein's brother drove her on to Hyde Park, with me just a little ahead of them on my bike, and Holly and Bernadette of course, already way ahead of them, waiting with flowers and message cards. 

As Meera got out of the car at the park, in the glorious October sunshine, Hussein was there to greet her with a bouquet of enormous pink roses and hydrangeas - her favourite colour.   They walked towards the fountain in the dramatic Italian Gardens, where Bernadette and Holly had cleared the space from tourists to create a beautiful backdrop for the proposal. 

Hussein got down on one knee and pulled out the ring to ask the all important question.

.... and though by now it must have been clear what we were all up to, still you could see that somehow it still really WAS a wonderful romantic surprise for Meera!

And of course, it needn't be said, but Meera did say Yes!  Congratulations to you both Meera and Hussein, and congratulations on your forthcoming wedding day!

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SAMMY & CRAIG'S SPRING ENGAGEMENT, VIRGINIA WATER

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SAMMY & CRAIG'S SPRING ENGAGEMENT, VIRGINIA WATER

I met Sammy and Craig in a teeming bar in London's Paddington Basin development.  Despite the terrible January weather, or maybe because of it, the bar was jammed full of people to the rafters. Amidst the yelling and laughing and the loud music and the swell of human bodies, this beautiful young couple seemed to be able to separate themselves from the craziness and the hubbub, as if they existed in their own little world of peace and affection.  

It's important to meet a couple  before you take on shooting their wedding.  Wedding photography is a very personal and often intimate relationship.  If you don't get on, if there is no chemistry, then you can be sure that will be reflected in the day, and in the final pictures.   I have yet to meet a couple and not hit it off with them, and Sammy and Craig were no exception to this, their warmth and easy relaxed manner being something I knew would be reflected in their e-shoot. 

Part of any shoot is about posing.  You can't just say to a couple: "sit there and be yourselves, stand there and snog".  But there are times, as with Sammy and Craig, when a couple has that easy, relaxed way about them, when the natural affection just comes across, and then it is best to let them be themselves and to just gently, subtly place them in the right settings.

With, sure, just a little direction, here and there. 

We chose to shoot the engagement in Virginia Water, a lovely little town which takes it's name from the lake in Windsor Park nearby.   Nestled between Windsor, Ascot and Sunninghill in leafy Surrey, it is best known for the park, woodlands and waterfall that enfold the lake and is Crown Estate property. 

As well as the famous totem pole, which we didn't have time to get to, there are also historic Roman Ruins - originally the remains of a three-thousand-year-old Phoenician city known as Lepcis Magna which were given to George IVth as a gift.   While once, they would have made an amazing, atmospheric backdrop to any shoot, they are now fenced off, making them a nice enough background, but not quite the photographic wow factor we were looking for. 

Still, the sun was shining.  We had been gifted that rare and beautiful thing, a perfect English spring afternoon.  So we grabbed a few natural shots at the ruins, and made our way to the waterfall. 

A magnet for tourists, not just from the UK, but all over Europe, the waterfall at Virginia Water gave us that fantastic glittery light, with some gentle shady spots where Sammy and Craig could relax in each other's arms while I coped with vertigo and tourists.  

Many might think that a crowded tourist attraction is the worst place to shoot in, particularly as these shots were taken on the little bridge directly in front of the waterfall, and on a path deeply trodden by almost anyone who comes here.  In fact, it's probably the best way a couple and their photographer could warm up for the public marathon appearance that is their wedding day.  If you can relax with your photographer, and be at ease in front of the camera in public, then that bodes very well for your big day, when you may well be appearing in front of hundreds of people. 

As you can see Sammy and Craig had little trouble relaxing in front of the camera, and this may be in part down to the choice of lenses.  Unlike a lot of photographers, I carry a 70-200 portrait zoom, which means I can work at a slighter greater distance from my couples when necessary, which helps them feel the session is more discrete, more relaxed, and gives them space to laugh and love.   Also, I am a firm believer that every shoot should be fun.  Whether it's a couple shoot, a wedding shoot, or a high-end corporate or commercial shoot, there should be fun and laughter. 

So there you have it, a simple mix of two people in love, of black and white and colour, of horsing around, and just walking had in hand.   No forced poses, no awkward, constrained set-ups, no crazy complicated lighting, and absolutely no stress.  What every shoot should be - an easy mix of joy, fun, love and laughter.  Thanks Sammy and Craig for a great afternoon, can't wait for the wedding day at the Royal Berkshire Hotel.  Gonna be amazing!

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Group shots - what to do, and how to have fun with them

The formal group shots.  Something every wedding photography moans about.   You have to organise all these people intent on having fun somewhere else, determined to chat, to get drunk, to socialise, to congratulate, to cop a crafty snog, or nip off for a sneaky smoke.  Goddamnit, these people are here to be photographed, not to have fun, right?  

Wrong. 

They're here to have fun.    People want to look their best and act their best, and of course they've come to wish the bride and groom a lifetime of fulfilled dreams, love and happiness.  But they've also come to have a laugh, to meet old friends and new, to let their hair down and enjoy themselves.  And part of a photographer's job should be not just to not get in the way of that fun, but to add to it. 

While some weddings can be chaotic when it comes to formal group portraits, it is crucial to have an idea of what you want, so that time isn't wasted herding your friends and family with a megaphone.  (In the wedding below, the best man actually used one!)

Every wedding is different and should be as you want it.  My only recommendation would be to try to keep things to a sensible limit.  We photographers want to document a day of love and fun and we want you to have fun, rather than be worrying about the 53rd set of formal shots of your third aunt twice removed.  

With this in mind, as a help to all couples, I have put together a simple template of which groups are good to include, though, as I say, the choice is always yours. 

Bride and Groom and Brides parents

Bride and Groom and Grooms parents

Bride and Groom and both sets of parents

Bride and Groom and Bridesmaids

Bride and Groom and Bestman/ushers/suits

Bride and Groom Bridesmaids, Bestman/ushers/suits

Large group shot

Bride and Groom and any special family members.

and remember - have fun!

 

Which isn't to say formal group shots should all be wacky, ad-hoc, crazy affairs.  More often than not, the ceremony and the gathering call for refinement, formal composition and a respectful portrait of family and friends. 

 

But this shot, lit and composed and shot at the wonderful One Whitehall Place in London's Westminster embankment is a great example of the opportunity a group formal portrait offers a photographer to get creative.  When nervous planners are urging you to "just pop out in the park" or grab a few shots on the stairwell, it is often too tempting to take the quick and easy option, rather than to see that something more challenging will result in something more rewarding.  Here I lit with two small flashes behind and a studio portrait soft box in front and arranged the family in the Gladstone library to create a Downton Abbey look, perfectly in keeping with the assured and sophisticated mood of the day. 

Which isn't to say the grand, sweeping staircase of One Whitehall Place shouldn't also get a look-in when it came to the group shot.  In fact it was ideal for placing all of the guests in a sumptuous surrounding.

And there are other times when circumstances force you to have a bit of fun and jazz things up.  We all pray the day will be wonderful and sunny, but as Brits, we are also philosophical to know that those rain clouds are never far away.  So it was with Heather and Sam's Dartmouth wedding. It rained ALL DAY LONG!  And it is then, at a beach-party wedding, when a photographer, has no real alternative to shooting outdoors, that the last thing anyone needs is a stiff pose and a long face. 

Although, I have to confess, the most fun I've had to date, was shooting the group shots at London's Zetter's Town House in Clerkenwell, at the reception held for Jerome and Rosie after their Islington Town Hall Wedding.  Having arrived breathless with excitement on a classic route master bus, and eager to party on at The Artisan Clerkenwell, Jez and Rosie were more than happy nonetheless to give a little time and creativity to their group shots.  The only challenge being that the outside of The Artisan is really just a courtyard.  As Jez had stayed the night before in Zetter's, they kindly let us shoot in their townhouse club, with the proviso that we were quick.  For a Saturday night, the townhouse was blissfully quiet, and so we snuck in, at first with the idea of merely shooting some classic, stylish and contemporary group shots.  

And then this happened.

Jez and Rosie, and their family were immediately game for some fun.  They're a fun and funky bunch and responded to every whacky idea with an eager grin.  "No, we don't want stuffy posed pictures, do whatever you want", they said. "Dangerous words", I said.  "Bring it on", they replied. "Do Charlie's Angels", I said.  And this is what I got.   

"Now all have a terrible family fist fight, really try and kill each other", I urged, as, so naturally you do at a wedding.  And this is what I got. 

This image makes me smile every time I see it, front lit with a studio soft box, a little kicker backlight from a flash on the floor, and light coming in from the window, but most importantly, a wonderful, fun-loving family, all game for a laugh.  

Of course, not every formal group shot can or should be like this.  But sometimes, you wish maybe just a few more were. 

So that is probably the long and the short of it - keep it simple, keep it intimate, keep it fun. Try not to squint (we do try and shoot in shade, and if there isn't any then we battle with the sun behind you)

and please, not too many this big:

 

and smile, don't forget to smile x

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