Weddings

STEVE AND PETER'S MAYFAIR WEDDING

From St Paul's to Tower Bridge, to Mayfair to Chancery Lane and Soho, this is the story of  two lovely Aussie guys, one same-sex wedding, and more taxi-rides than most people fit into a year! 

I was delighted when Steve and Peter asked me to shoot their London wedding, not just because the locations were so cool, but also because I've known them for over a decade, having worked together in various TV broadcasting and production companies.  So I knew they were great guys, and that we would have a great day out in London. 

Instead of the traditional morning 'bride and groom prep' stuff, the guys preferred instead to meet up, already suited, to grab some informal and romantic shots of them chilling in some of London's most iconic spots, partly so they could send pics to the 'folks back home', both being Australian, and partly because, hey, London is a cool city, right?

Kicking off with a few fun shots around the Tate Modern and Millennium Bridge, with the classic view of St Paul's behind us, we moved on down towards London Bridge.

Soon it was time for the short Uber-ride down to Mayfair, to the public library in South Audley Street.

mayfair wedding same sex marriage london photography 1

Where things got a little held up when Pete's Mum, who was supposed to be giving him away and walking him up the aisle, got held up, ironically by a taxi strike. 

In the end, Steve had to lead Pete up the aisle, though thankfully Pete's Mum and Dad did make it in time for most of the ceremony.

As you can see, it was a small and intimate wedding, and again, Steve and Pete were keen to dispense with formal group shots, opting for just one simple, and touchingly close family gathering on the staircase.

.... and just one quick posed shot outside the library itself.   Many couples who marry at Mayfair Public Library like to get some romantic shots in the park next to it.  But again Pete and Steve wanted to buck convention and do something a little more interesting.  And here was their plan;  while family and friends would decamp to London's trendy Bounce club in Chancery Lane to play table tennis...

... Pete and Steve wanted some more romantic shots around Tower Bridge.

The boys were hoping for a romantic London sunset at Tower Bridge, and as luck would have it, mother nature chose that particular evening to dish up the most incredible glowing red sky as the sun dropped behind The Shard.

One of those rare cases where you don't need to ask the couple to gaze off into the sunset with a look of joy and wonderment on their faces...

With only a few minutes left before we had to jump in a taxi to catch up with the rest of the bridal party at Bounce, the boys granted me a couple of minutes to do a quick cool long exposure shot on Tower Bridge.  I had wanted to capture a passing red London Bus, to make the shot truly iconic, but with time against us, of course, there were no buses to be seen...

We got the shot, though, and then it was back in another taxi, and back to Chancery Lane, to re-join the table tennis fun in EC4.

And then it was back in a taxi yet again for the intimate wedding reception at London's Kettner's restaurant off Old Compton Street in Soho

Though once again, some people were late... :)

KATRINA AND BEN'S WHITEHALL WEDDING

Katrina and Ben chose the wonderful One Whitehall Place as their venue for both the ceremony and the reception of their London Summer Wedding. 

“We’d love you to shoot our wedding video and our photography”

Being both a photographer and videographer, this is always my favourite booking.   Though sadly I can’t clone myself, and of course Ben and Katrina hadn’t expected me to be in two places at once either, meaning I brought in one of my team of videographers to work alongside me.  

One of the specialities of Delirious Films is that we can offer an all-in package.   Working with videographers and photographers across the country, I tailor every wedding to suit each couple, which means sometimes I shoot stills, and sometimes video. 

On this occasion – as I had always wanted to capture the ambience and atmosphere of this beautiful Victorian building with it’s chandeliers and pillars, its history and architecture, I took the helm as photographer and director and hired in my best videographer to shoot the movie.

On arrival, the chaps decamped to the Churchill’s Bar, drinking in not just the g&t’s but also the wonderful atmosphere of a glorious history. 

Churchill was not the only political titan to debate and relax, within the National Liberal Club’s walls: Asquith, Lloyd George and many others shared a glass and a frank exchange of views here.  Churchill’s Bar captures this spirit. It’s a place of tranquility and character: of strong words, softly spoken. Ideal for a drinks reception, for small-scale gatherings or a postprandial chat. In the spirit of this great intellectual heritage, as you can see, the boys were deep into a serious debate.  Probably about the merits of beer over gin. 

Meanwhile Katrina was getting ready in the Ladies’ Room on the top floor, a wonderful, discrete and stylish space that brought out Katrina’s already highly-developed spirit of glamour.

The ceremony took place in the The Reading and Writing Room, a magnificent room that can accommodate 120 people, with its floor to ceiling windows that allow natural daylight to flood the room. The windows provide enviable views of modern day London, looking out across the Thames to the London Eye and the South Bank.

 

As Katrina's mother is Russian, part of the ceremony was  the “Bread and Salt” tradition for  when the groom’s mother greets the bride and groom. In the old days, the groom’s mother presented the couple with “Bread and Salt” at the groom’s family house when the bride moved in to live. Nowadays, as a rule, most couples of course live separately from their parents and after an official marriage ceremony or a wedding, the “Bread and Salt” ritual takes place right in the banquet hall where the wedding celebration takes place.

The bride and groom break off pieces of bread, dip them in salt and feed each other. These actions symbolize that they’ll never be without the necessities of life and they will always take care of each other.

When it came to the formal family portraits, luck was on my side.  The best end of the library had been cleared, prior to dinner, and there was just space enough to fit and light close family members.  With a handy five minutes on my side, I quickly set up a backlight flash to help balance the sunlight, and a studio soft box to give this group shot the Downton Abbey feel.  

Then it was out for a quick couple of portraits and romantic shots for the film on Hungerford Bridge, overlooking the Thames, Big Ben, and the London Eye.

This last shot is one of my favourites, and is actually a still from our film that accompanied the photoshoot.  Feel free to take a look at the film here:  

and do please feel free to leave a comment, if you enjoyed these pictures, thanks for reading. 

Adam

Don and Kayan's Vintage London Engagement Shoot

It's not uncommon to come away from a shoot having made friends with a couple, and after Don and Kayan's fantastic London pre-wedding session around Westminster, we found we had quite rapport.  Imagine then my delight when they asked if I would also shoot their engagement at various locations around the city.  

Although this shot of the couple hand in hand beneath the blossoms in Regent's Park is the last shot of the session, it is also one of my favourites, simply because it cries out "Spring! Love! Romance!" and also because, with Kayan's lovely vintage polka-dot dress, it has a classic timeless quality to it.

We started off our shoot in fact in London's Portobello Road in Notting Hill.  Don and Kayan had dressed for the part and threw themselves fully into the Vintage theme.  While Don is the modest, slightly camera-shy kind of guy - and let's face it, most guys are - you can hardly tell from the pictures.  Part of a photographer's job is to put a couple at ease, and a big benefit to shooting an engagement is the chance to get a couple accustomed to being the attention of a day-long shoot.  

Of course a good vintage shoot is nothing without a great vintage dress.  Kayan sourced her wonderful dress and hat from bowlers in York, while the photographer - yes, me that is - happily let Don have a play with my beautiful retro-styled fuji x100s.  More of which, later on. 

Kayan had done a little modelling which is always a treat for a photographer – you can see from the poses she pulls that she has a natural flair in front of the camera.

And although we achieved amazing results in colour, helped by gorgeous weather, and the pretty, multi-coloured Victorian terraces and Villas of Notting Hill and North Kensington, still it was hard to resist adding the odd black and white.  After all, no vintage shoot surely is complete without a little monochrome styling.

The stalls and shops on the Portobello Road are a magnet for tourists and shoppers, so inevitably on a beautiful sunny London spring day, London W11 was pretty hectic, yet we managed to clear enough space for Don and Kayan to get into their shoot, and I think this in part was simply down to us having so much fun, and them relaxing and getting into the pure spirit of fun that an engagement shoot should be. 

Here in this mews off the Portobello Road you can see the fuji x100s at work.  A lot is talked about the tones and colours that different cameras produce, and while you can achieve almost anything in Photoshop, you can see the subtle difference in tones and textures between the two shots.  Above is taken with my Canon 5D mark iii on a 70-200 f2.8 while below is taken on the Fuji using it's fixed 23mm (35mm equivalent) lens.   Of course a telephoto zoom and a medium wide angle lens will produce different results, but what is interesting is not only how great the results are from such a little compact camera camera, but also how - even shooting raw - the pictures have very much their own visual quality and character.

Then it was off to Regent's Park, a location that just gets more beautiful, every time spring comes round. 

because no spring engagement shoot is really complete if you don't grab some blossoms.  This year, spring came late, so those were words I couldn't utter with assurance to some of my couples, but with Don and Kayan we hit gold!  Admittedly some of that is my gold reflector, which I think adds a fabulous look to skin tones, if you are going for something styled, warm and passionate. 

And of course, when in Regent's Park, to not feature the BT Tower would just be plain wrong, right?

I like to offer my couples as much choice as possible.  So when I deliver photos I always make sure there are a variety of edits.  Above was one colour grade that I really like, desaturating the tones of the blossoms, the green, the skin tones.   It has a subtle, slightly faded look that I think is quite classy.  But for full-on picture postcard vibrant romance, it is hard to resist the full glorious colours that a London spring has to offer. 

And sowe come to the last shot of the series which, ironically was one of the first of the shoot.  It is almost everyone’s favourite shot and I think I know why.  Somehow everything came together to perfectly reference Cartier Bresson, Robert Doisneau, Audrey Hepburn, and Paris and London in the 1950s.   Somehow we effortlessly nailed Vintage!  How did we do that?   Partly because despite the relentless modernisation and development of London, the chains and oyster bars and luxury apartments, Portobello Road has been able to hold onto the charm, the architecture, and the character that made it such an iconic location in the first place.  Somehow Notting Hill is still Absolute Beginners, it’s still The Lovers, it still has the charm of say Montmartre or Lisbon Old Town.   Somehow it is still picture-postcard London without being cliché. 

Thanks also go to Don and Kayan whose enthusiasm and sense of style mirrored this classic, timeless innocence.  They say the camera never lies, and these two were charm, style and good grace personified.   They were Grace Kelly and  Cary Grant, George Peppard and Audrey Hepburn.  All I had to do was point and click. 

ERICA AND TOM'S ROMANTIC EASTBOURNE WEDDING

erika  (133 of 263).jpg

Another last minute phone call from my pal Kirstie Blake: "My dear friend has just been let down by her photographer, can anyone help?"   And the next morning, I am hurtling through Sussex on a glorious sunny July Saturday to the rescue. 
 

I instantly fell in love with Tom and Erica's cool, retro Peacehaven bungalow, and it wasn't long before I'd fallen for them and their friends and family too!

Some weddings are all about the planning, some are all about the style, and some... some are all about the warmth of feelings, the strength of commitment and love from friends and family. 

Wanting nothing but the best, Dad booked a classic chauffeur-driven Daimler to drive Erica to the town hall.

And who couldn't help but be totally smitten by the Britain's youngest best man!?  Aw... so cute!!

and while the groom waited nervously...

a romance appeared to be blossoming between the best man...

... and one of the ladies in the congregation.

though nothing could distract from how beautiful the bride looked as Dad lead her down the aisle

There were tears and smiles at Eastbourne Town Hall.  With more than their share of challenges, this young couple came through for each other in a big way.

with more than a little help from the littlest, cutest best man ever ever ever

the signing of the register

the walk down the aisle, with a littlest best man now a bit grumpy and no doubt in need of some sugar

 What is lovely about Victorian Town halls, like the classic one in Eastbourne where Tom and Erica held their wedding ceremony, is the mix of colours, the wonderful architecture, the mix of natural and modern lighting and the melange of municipal rigour with a gentle, relaxed local atmosphere.  

Of course nothing expresses the joy and excitement following the wedding ceremony than confetti

and while a lot of wedding photographers won't use a wide angle, I can never resist squeezing in that little bit of extra action, because it is as much the guest's day as it is the bride and groom's.

After the formal shots, we had a little bit of time to run off for some romantic photo down time at Burling Gap.  And no trip to the south downs in the summer would be complete without... an ice cream.

as the saying goes, what's yours is mine, and ... erm... well that's it really..

Birling Gap and Crowlink, near Eastbourne in East Sussex, are part of the world famous Seven Sisters chalk cliffs, one of the longest stretches of undeveloped coastline on the south coast.  One minute you can be walking on ancient downland, the next you could be rockpooling below towering cliffs of chalk. Spectacular, unspoilt views of the sea can be seen from all angles. The beach below is ideal for seaside picnics with its rock pools and areas of pebbles and sand. It is a great example of a marine nature reserve.

Also, great for a bit of a snog, after your wedding.

but the fun didn't end with just one ice cream and a bit of a snog...

... and we were off to East Dean for a full-on Hog Roast.  Just look at the delight on those kids' faces...

then of course there were the speeches...

... the cake....

.... the cake down the bride's cleavage....

... the cake in the groom's face...

and then a proper, bonkers knees-up party

and also, thankfully, a beautiful South Downs Sunset 

Do please feel free to leave a comment, if you enjoyed these pictures, and thanks for reading. 

x

Adam

Don and Kayan's Glamourous Westminster Pre-Wedding Shoot

Most brides wouldn't dream of letting their groom see them in their wedding dress before the big day, but in Asia, pre-wedding photography is hugely popular. 

Pre-wedding shoots see brides and grooms pose together in their wedding finery before walking down the aisle, to get perfect pictures, tailored to the couple's exact taste, which there may not be time for on the wedding day itself. 

Now couples in search of something extra special for their shoot are flocking to the UK to pose alongside famous landmarks or in renowned luxury hotels such as The Ritz.

Don and Kayan, like many Chinese couples, have fond memories of working and studying here in London, and while their call came last minute, and while time was short, we had some fun whizzing around a few favourite places, including a romantic and dramatic start in Green Park, and a quirky long-exposure shoot at Paddington Station.   Along the way, we took in the ubiquitous and inevitable red phone booth, black taxi and, of course Westminster Abbey, Parliament Square, Big Ben and Westminster Bridge.

 

CATRIONA & TOBY'S KENT ENGAGEMENT SCOTNEY CASTLE

Or... How You Should Never Say Never Work with Children and Animals.

It's been quite a year for National Trust engagement shoots, which for me, being a Londoner, is quite a treat to get out and about in the countryside.  Catriona and Toby are both avid walkers and even more avid dog-lovers, and this was my first shoot incorporating dogs AND romance.  Despite the "never work with children and animals" maxim, I thought, what fun, what could possibly go wrong.  Of course things might have gone wrong, but in fact on the day, their two spaniels were so lovely and well-behaved I only wish I'd tried some more experimental shots.  As it is, a sweet afternoon of walking and relaxing was had by all at Scotney Castle. 

As a bit of a warm up - although to be honest an engagement shoot is in itself a warm-up - Mum took the dogs for a little walk while I took Catriona and Toby down to the Folly to get used to the camera.  Not everyone likes to indulge in endless selfies and not everyone is comfortable with the idea of a photographer.  But they know they'll need to be when their wedding day comes.  So of course an engagement shoot is a great way to not only get to know each other and what works best, but also to learn to relax a bit in front of the lens. 

And so, enter the pups, and what a cute pair they were.

I know spaniels are pretty easy going, but these two, they were just so cute and laid back.

Despite the glorious sunshine that marked the start of this lovely Kentish autumn day, by the time we had actually arrived at Scotney Castle, the clouds were massing overhead.  Sometimes when this happens, it's hard to resist going a little gothic.

The house which was built to replace the Old Castle in the first half of the 19th Century is known as Scotney New Castle, and is a wonderful example of Tudor Revivalist style.  So not really gothic at all, except perhaps when the dark lowering clouds mass overhead and the photographer's imagination runs a little too far away with itself...

For those wondering if the poor dogs had been left to go feral, I probably should add here the best piece of advice I can offer anyone considering an engagement shoot with their dogs;  bring a friend or a family member along who is happy to take the dogs for a break so the two of you can also relax and pose a little for the camera.  Taking advantage of a small break, we took a quick tour of the gardens. 

We were treated to the most amazing array of autumn colours.  The gardens at Scotney Castle were designed by Capability Brown with rhododendron and azalea competing with Wisteria and old English rose.   Autumn is beautiful, but Spring is an absolute symphony of colour.

We retrieved the little retrievers and took them for a last photo tour of the gardens.  

With the sun determined not to come back out again, and with the gates soon to close on the castle, we took a last tour of the old castle, which dates back to the fourteenth century.  And to lift things a little, I brought out some handy lights, at first as a portrait key light to lift Cat and Toby out of the November gloom.

And then more dramatically - and this is one of my favourite cheats with using a flashgun with radio trigger - I created some fake sunlight behind them.  While in reality we were halfway to darkness, see how the remote flashgun light highlights them and wraps round them, as if it were the dying rays of the sun through the bushes behind and picks out the golden autumn colours in the leaves.  Much prettier than a flat near-dark grey early evening. 

Because every lover's kiss deserves a bit of sun-dappled romance, even if it is courtesy of the hard-working photographer.  Thanks for a great day Toby and Cat, looking forward to the big day next year!

SAMMY & CRAIG'S SPRING ENGAGEMENT, VIRGINIA WATER

I met Sammy and Craig in a teeming bar in London's Paddington Basin development.  Despite the terrible January weather, or maybe because of it, the bar was jammed full of people to the rafters. Amidst the yelling and laughing and the loud music and the swell of human bodies, this beautiful young couple seemed to be able to separate themselves from the craziness and the hubbub, as if they existed in their own little world of peace and affection.  

It's important to meet a couple  before you take on shooting their wedding.  Wedding photography is a very personal and often intimate relationship.  If you don't get on, if there is no chemistry, then you can be sure that will be reflected in the day, and in the final pictures.   I have yet to meet a couple and not hit it off with them, and Sammy and Craig were no exception to this, their warmth and easy relaxed manner being something I knew would be reflected in their e-shoot. 

Part of any shoot is about posing.  You can't just say to a couple: "sit there and be yourselves, stand there and snog".  But there are times, as with Sammy and Craig, when a couple has that easy, relaxed way about them, when the natural affection just comes across, and then it is best to let them be themselves and to just gently, subtly place them in the right settings.

With, sure, just a little direction, here and there. 

We chose to shoot the engagement in Virginia Water, a lovely little town which takes it's name from the lake in Windsor Park nearby.   Nestled between Windsor, Ascot and Sunninghill in leafy Surrey, it is best known for the park, woodlands and waterfall that enfold the lake and is Crown Estate property. 

As well as the famous totem pole, which we didn't have time to get to, there are also historic Roman Ruins - originally the remains of a three-thousand-year-old Phoenician city known as Lepcis Magna which were given to George IVth as a gift.   While once, they would have made an amazing, atmospheric backdrop to any shoot, they are now fenced off, making them a nice enough background, but not quite the photographic wow factor we were looking for. 

Still, the sun was shining.  We had been gifted that rare and beautiful thing, a perfect English spring afternoon.  So we grabbed a few natural shots at the ruins, and made our way to the waterfall. 

A magnet for tourists, not just from the UK, but all over Europe, the waterfall at Virginia Water gave us that fantastic glittery light, with some gentle shady spots where Sammy and Craig could relax in each other's arms while I coped with vertigo and tourists.  

Many might think that a crowded tourist attraction is the worst place to shoot in, particularly as these shots were taken on the little bridge directly in front of the waterfall, and on a path deeply trodden by almost anyone who comes here.  In fact, it's probably the best way a couple and their photographer could warm up for the public marathon appearance that is their wedding day.  If you can relax with your photographer, and be at ease in front of the camera in public, then that bodes very well for your big day, when you may well be appearing in front of hundreds of people. 

As you can see Sammy and Craig had little trouble relaxing in front of the camera, and this may be in part down to the choice of lenses.  Unlike a lot of photographers, I carry a 70-200 portrait zoom, which means I can work at a slighter greater distance from my couples when necessary, which helps them feel the session is more discrete, more relaxed, and gives them space to laugh and love.   Also, I am a firm believer that every shoot should be fun.  Whether it's a couple shoot, a wedding shoot, or a high-end corporate or commercial shoot, there should be fun and laughter. 

So there you have it, a simple mix of two people in love, of black and white and colour, of horsing around, and just walking had in hand.   No forced poses, no awkward, constrained set-ups, no crazy complicated lighting, and absolutely no stress.  What every shoot should be - an easy mix of joy, fun, love and laughter.  Thanks Sammy and Craig for a great afternoon, can't wait for the wedding day at the Royal Berkshire Hotel.  Gonna be amazing!